
I first encountered Maggie Nelson’s The Argonauts because of the #MeToo movement.
Bored one afternoon at work, I found myself wandering down a Google rabbit hole that led me to a young woman named Moira Donegan. In January of this year, as many of you may remember, something of a scandal was made of a phantom spreadsheet floating around the internet detailing a number of sexual misconduct allegations against “Shitty Media Men.” Within hours the spreadsheet went viral and caused a heated debate over the limits of female accusers’ credibility and spawned a number of think pieces from all sides. Continue reading “Feeling Blue in the Brooklyn Museum”